In a relatively short time span technology is being developed at a rapid pace. Where scenarios of robots behaving like humans once seemed a nearly impossible idea, now that far away future is actually quite close. The relationships between nature and technology is getting more and more integrated as the last is used to reproduce or replace natural elements. This intersection is the essence of artist Christiaan Zwanikken (1967). Recently he had an exhibition at the Electriciteitsfabriek or the Zwanikken Fabriek, for the occasion.
Continue reading “Natural technology”
Every person has expectations when deciding to visit an exhibition, depending on how much you already know of the art on show beforehand. Still some artists manage to take you by surprise in doing something that raises different thoughts or feelings then you imagined. Dutchman Wim T. Schippers (1942) is such an artist, he has made installations that will leave you wondering for why and how etc.
Continue reading “Peanut butter and floating rocks”
A visit to the Chateau Versailles, France, is a spectacle in itself; the grand building lavished with gold and other decorations, the decadent interior, and not to forget the immense gardens surrounding it. It was commissioned by Louis XIV (1638-1715) to replace the hunting lodge his father had built at Versailles. Also known as the Sun King Louis XIV established his monarchy firmly and had the longest reign in European history (1643-1715). His palace had to fit his position and express his autonomy.
Continue reading “Mirrors and water”
From August 26th to September 25th the Hardenbergzaal at Puchri houses Disarm (2013), an installation by the Mexican artist Pedro Reyes (1972). The installation is part of TodaysArt Festival 2016, which will take place in the center of The Hague this year.
Continue reading “From violence to music”
Lewis Carroll’s Alice’s Adventures in Wonderland (1865) never ceases to spark the imagination. From the many book versions to a multiplicity of plays, dances etc., the story remains popular. Even visual artists find inspiration in Carroll’s famous narrative, as the recent exhibition No Cover Image at Arti et Amicitiae proved. Artists Stephan Jäschke, Laurent Proux, Tillmann Terbuyken, Marjolijn de Wit, Thijs Rhijnsburger, Arthur Stokvis and Bonno van Doorn created a space where one art piece flows over into the next and engaged the audience.
Continue reading “Alice Wonders”
Big shoes, collar, overdone painted smile, red round nose and an overall colorful outfit, who does not recognize the figure of the clown? He is a well-known character in popular culture and therefore presented artists with a relatable subject. Artists like Pablo Picasso, Auguste Renoir, Georges Seurat and Charley Toorop have concerned themselves with this red-nosed individual in their paintings. Today the colorful appearance of the clown decorates the exhibition space of the Boijmans van Beuningen in Ugo Rondinone’s Vocabulary of Solitude.
Continue reading “Colorful reflection”
In the article about Lisa Park I have already discussed the collection of data as a trait of the present times and Park’s visualization of this. However Park is not the only artist concerned with this interest; the group exhibition Spending Quality Time With My Quantified Self at Tent brings various artistic perspectives together. But where Park attends the data collection itself, the artists at Tent are preoccupied with the body, the self, within this omnipresent tendency.
Continue reading “Living in a quantifying world”