What does the future look like? There have been many storytelling examples of future scenarios in which many processes have been automated. In these visions robots will replace people in their jobs, but where does that leave humans? And while these ideas about our future seem far away they are actually quite close. Think about the self-driving cars which are being tested and improved as we speak, which will make chauffeurs obsolete. What do these developments mean for making money in order to cover your living expenses in our capitalist society? This is the concept of artist Manuel Beltrán’s current project named Institute of Human Obsolescence.
Continue reading “The future of labor”
In a relatively short time span technology is being developed at a rapid pace. Where scenarios of robots behaving like humans once seemed a nearly impossible idea, now that far away future is actually quite close. The relationships between nature and technology is getting more and more integrated as the last is used to reproduce or replace natural elements. This intersection is the essence of artist Christiaan Zwanikken (1967). Recently he had an exhibition at the Electriciteitsfabriek or the Zwanikken Fabriek, for the occasion.
Continue reading “Natural technology”
A visit to the Chateau Versailles, France, is a spectacle in itself; the grand building lavished with gold and other decorations, the decadent interior, and not to forget the immense gardens surrounding it. It was commissioned by Louis XIV (1638-1715) to replace the hunting lodge his father had built at Versailles. Also known as the Sun King Louis XIV established his monarchy firmly and had the longest reign in European history (1643-1715). His palace had to fit his position and express his autonomy.
Continue reading “Mirrors and water”
From August 26th to September 25th the Hardenbergzaal at Puchri houses Disarm (2013), an installation by the Mexican artist Pedro Reyes (1972). The installation is part of TodaysArt Festival 2016, which will take place in the center of The Hague this year.
Continue reading “From violence to music”
Big shoes, collar, overdone painted smile, red round nose and an overall colorful outfit, who does not recognize the figure of the clown? He is a well-known character in popular culture and therefore presented artists with a relatable subject. Artists like Pablo Picasso, Auguste Renoir, Georges Seurat and Charley Toorop have concerned themselves with this red-nosed individual in their paintings. Today the colorful appearance of the clown decorates the exhibition space of the Boijmans van Beuningen in Ugo Rondinone’s Vocabulary of Solitude.
Continue reading “Colorful reflection”
In the article about Lisa Park I have already discussed the collection of data as a trait of the present times and Park’s visualization of this. However Park is not the only artist concerned with this interest; the group exhibition Spending Quality Time With My Quantified Self at Tent brings various artistic perspectives together. But where Park attends the data collection itself, the artists at Tent are preoccupied with the body, the self, within this omnipresent tendency.
Continue reading “Living in a quantifying world”
For those art lovers who missed it, Rotterdam was the place to be last week. It was art week, which meant lots of openings and events organized around Art Rotterdam. For the third time the art fair took place in the Van Nelle Factory, befitting this purpose very well. This year was the second time the fair hosted Intersections. Off the main fair areas and in the outbuildings Intersections was the space where visitors could experience art without the pressure of possibly buying something. Curator Suzanne Wallinga organized a diversity of installations from several non-profit art spaces. From video work to performances, sound installations, paintings, sculptures, moving objects and even a complete house transferred from Detroit, one could see it at Intersections.
Continue reading “Intersections at Art Rotterdam”